1. "Names are illusions, he growled. Nonsensical labels seized upon by people to make them feel better about the intangibility of their puny existences. I am this. I am that, he mocked. I came from so and so. Ergo I am … whatever the blah-blah you want to claim. Bloody hell, spare me."
- Karen Marie Moning, Dreamfever
2. "The daughter of the literary biographer Leslie Stephen, and close friend of the innovative biographer of the Victorians, Lytton Strachey, Woolf herself put forward, in ‘The New Biography’ (1927) (reviewing work by another biographer acquaintance, Harold Nicolson), her own memorable theory of biography, encapsulated in her phrase ‘granite and rainbow’. ‘Truth’ she envisions ‘as something of granite-like solidity’, and ‘personality as something of rainbow-like intangibility’, and ‘the aim of biography’, she proposes, ‘is to weld these two into one seamless whole’ (E4 473). The following short biographical account ofWoolf will attempt to keep to the basic granitelike facts that Woolf novices need to know, while also occasionally attending in brief to the more elusive, but equally relevant, matter of rainbow-like personality."
- Jane Goldman, The Cambridge Introduction to Virginia Woolf
3. "Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The"
- Quote by Bret Easton Ellis