1. "They were both in their own ways earnest; they both wanted to achieve some worthy end or other, change the world for the better. Such alluring, such perilous ideals!"
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Margaret Atwood, The Blind Assassin
2. "None of this happens, of course. Or it does happen, but not so you would notice. It happens in another dimension of space."
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Margaret Atwood, The Blind Assassin
3. "...He was wrong about the sadness though: far better to have it when you're young. A sad pretty girl inspires the urge to console, unlike a sad old crone."
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Margaret Atwood, The Blind Assassin
4. "The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it. Impossible, of course."
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Margaret Atwood, The Blind Assassin
5. "Are there stars? he asks her. She nods."
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Margaret Atwood, The Blind Assassin
6. "He loved her; in some ways he was devoted to her. But he couldn't reach her, and it was the same on her side. It was as if they'd drunk some fatal potion that would keep them forever apart, even though they lived in the same house, ate at the same table, slept in the same bed."
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Margaret Atwood, The Blind Assassin
7. "I and the girl in the picture have ceased to be the same person. I am her outcome, the result of the life she once lived headlong; whereas she, if she can be said to exist at all, is composed only of what I remember. I have the better view - I can see her clearly, most of the time. But even if she knew enough to look, she can't see me at all."
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Margaret Atwood, The Blind Assassin
8. "All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. All of them? Sure, he says. Think about it. There’s escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist. I"
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Margaret Atwood, The Blind Assassin
9. "She began to fret about God's exact location. It was the Sunday-school teacher's fault: God is everywhere, she'd said, and Laura wanted to know: was God in the sun, was God in the moon, was God in the kitchen, the bathroom, was he under the bed?...Laura didn't want God popping our at her unexpectedly...Probably God was in the boom closet. It seemed the most likely place. He was lurking in there like some eccentric and possibly dangerous uncle, but she couldn't be certain whether he was there at any given moment because she was afraid to open the door. "god is in your heart", said the Sunday-school teacher, and that was even worse. If in the broom closet, something might have been possible, such as locking the door."
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Margaret Atwood, The Blind Assassin
10. "Reenie never went in much for God. There was mutual respect, and if you were in trouble naturally you’d call on him, as with lawyers; but as with lawyers, it would have to be bad trouble. Otherwise it didn’t pay to get too mixed up with him."
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Margaret Atwood, The Blind Assassin